The Front RowCould “Fast” Be, at Long Last, Rob Tregenza’s Breakout Film?Photograph courtesy Nick NewmanSave this storySave this storySave this storySave this storyAn influential notion in art-house filmmaking is that of slow cinema: long takes and spare action that emphasize the real duration of onscreen events. It’s a term I avoid, because what matters more than speed of action is speed of thought. Movies made up of quick cuts and onscreen turbulence, such as “The Odyssey” and “Superman,” may look fast, but they dole out ideas and emotions at the cautious pace of children’s books. By contrast, the new film...
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