This, oddly, is the second film in the Cannes competition about the Nazi occupation of France, and it is more interesting than László Nemes’s rather mainstream drama Moulin – a complex, ambiguous study of national humiliation from writer-director Emmanuel Marre. He has created an absorbingly intimate, novelistically detailed procedural about the day-to-day, moment-by-moment lives of the Vichy administrators after the fall of France, mostly shot conventionally, sometimes jolting into an anachronistic dreamlike scenario on video.It is centred on the director’s own great-grandfather Henri Marre, who held a minor but important post in the Vichy ministry of labour. The film is...
Monitoring Antisemitism Intel
