We know William Shakespeare’s Hamlet so well at this point that one of the primary pleasures of any new movie adaptation lies in seeing how the play’s various elements have been reimagined. In Michael Almereyda’s 2000 film, Ethan Hawke’s Hamlet delivered the “To be or not to be” soliloquy while perusing the Action aisles of a Blockbuster Video. Kenneth Branagh’s 1996 version had the actor-director delivering that same speech into a two-way mirror. In Laurence Olivier’s 1948 classic, he stood at the edge of a castle parapet, contemplating the thundering waves below. Last year, Chloé Zhao’s Hamnet (not an adaption...
Monitoring Antisemitism Intel
