Roberto Doveris’ werewolf tale “Blood Red Nails,” two doc-features – Cristobal Valenzuela’s Black Cocaine” and Agustín Flores’ “The Curve” – and Málaga Fest hit “The Night is a Farce” look like potential standouts at a wide-ranging Sanfic WIP Iberoamericana, which underscores new production models on the rise in Latin America and beyond. Part of Sanfic Industria, the industry arm of Chile’s Santiago International Film Festival (Sanfic), the pix-in-post spread also provides a significant platform for movies from Latin America and Spain aiming to hit the festival circuit later this year or first half 2026. Probably the biggest industry package in...
Monitoring Antisemitism Intel
