Scarlett Johansson’s directorial feature debut, from a screenplay by Tory Kamen, is honestly intentioned and sweetly acted – notably by the film’s 95-year-old star June Squibb, whose remarkable career renaissance began with her being nominated for a best supporting actress Oscar for Alexander Payne’s 2013 film Nebraska. But this frankly odd film is misjudged and naive about the implications of its Holocaust theme. Its bland, TV-movie tone of sentimentality fails to accommodate the existential nightmare of the main plot strand, or indeed the subordinate question of when and whether to put your elderly parent in a care home. Squibb plays...
Monitoring Antisemitism Intel
