If there is a modern day equivalent in Hollywood to Dutch director Paul Verhoeven, he or she must be hiding in the nearest underground space bunker, desperately praying that irony makes a comeback. Verhoeven arrived at a time when transgressive “video nasties” were just fading into irrelevance, a period in which filmgoers were just as likely to head to the cinemas for schlocky thrills as they were for biting sci-fi allegory. With films such as 1987’s RoboCop, 1990’s Total Recall and 1997’s Starship Troopers, Verhoeven managed to combine a high-energy, hyper-kinetic thrust that has rarely been achieved since. He remains...
Monitoring Antisemitism Intel
