It’s not a Berlinale if it doesn’t have at least one film turning a lens on Germany’s Nazi past. It’s been so many years since the Holocaust, and yet the wound still festers. Whether it is the global upsurge of the right, or a way of keeping torment at bay — cinema can be a successful distancing device — is a question that deserves our attention, and the answers that emerge from it. Andreas Dresen’s ‘From Hilde, With Love’ tells us about a little-known segment of the German population which was not happy about the rising extremism. The sun-dappled group...
Monitoring Antisemitism Intel
