Photo: Joan Marcus/all rights reserved The temptation, when you see a work of art about a world with which you’re intimately familiar, is to get out a red pen as you watch and mark down all the places where the facts are off. It’s not necessarily a healthy or charitable way to respond, and if the rest of the piece is coherent and engaging on its own terms, it shouldn’t matter, but it can be hard to resist the knee-jerk urge to go, “well, that’s not how that works.” That all becomes that much harder when a show courts that...
Monitoring Antisemitism Intel
