Over a nearly two-decade acting career, Jesse Eisenberg has established an energy so distinct you could describe the characters and the movies around them by his name – wordy, wry, brimming with nerves and discomfort. He can deliver a scathing deadpan, as in The Social Network, or a rapid-fire spit of anxieties, most recently in Fleishman Is in Trouble. He’s a natural fit for a certain type of small-stakes, character-driven indie dramedy, as was his first feature as a writer-director, last year’s When You Finish Saving the World, about fractured, lonely, sardonic family of three; its humorous, wincing journey of...