Review at a glance H is hat is back. His whip is back. His ophidiophobia – that’s fear of snakes – is back. And, briefly, as the film begins, so is his youth. Indiana Jones and the Dial of Destiny opens with Harrison Ford’s great adventurer back in war-torn Germany, fighting those pesky über-looting Nazis and – thanks to the de-ageing CGI used by Martin Scorsese in The Irishman – Ford is miraculously young again. But has director James Mangold also miraculously returned the franchise to the youthful splendour of Raiders of the Lost Ark? No, but there are enough...