What if Rudolf Höss isn’t vomiting out of remorse? What if it’s his own irrelevance dawning on him instead? Photo: A24 The Zone of Interest is among the most audacious movies of last year — a radical experiment in perspective, limiting the audience’s vantage on atrocities while adopting that of the people perpetrating them. But it’s not exactly an ambiguous experiment, is it? Jonathan Glazer establishes his formal conceit immediately, pushing all the horrors of Auschwitz just beyond the frame line and focusing instead on a blissfully unperturbed Nazi family going about its daily routines in the periphery of the...